sábado, 22 de março de 2025

EVERYWHERE(at the same time) - Addis Ababa-Oslo-Praha-Baghdad-Tijuana-Vientiane

Addis Ababa-Oslo-Praha-Baghdad-Tijuana-Vientiane 

I’m in Addis Ababa, Ethiopia's capital, and at the same time, I’m in Oslo, I’m in Praha, I’m in Baghdad, I’m in Tijuana and I’m in Vientiane, at some kind of night market by the Mekong river. And so, now, back to Meskel square, in Addis Ababa, a site for public gatherings and demonstrations, like the Meskel Festival, a Christian holiday in the Ethiopian Orthodox and Eritrean Orthodox churches that commemorates the discovery of the True Cross by the Roman Empress Helena (Saint Helena) in the fourth century. And then, I’m in Oslo again, more precisely, at the Bygdøy or Bygdø peninsula, where is situated the Gol Stave Church, a church that, in the nightie, suffered various arson attempts by some black metal fans from bands like Mayhem, Burzum, Darkthrone, Immortal, etc. Praha now, more precisely getting out of the Masaryk railway station, and at the same time, I’m going through Firdos square, in Baghdad, the square from where the Saddam Hussein statue was toppled, years ago, and, just now “they” turn on the lights of the water fountains, red and green, the colors of the Iraqi flag, and I, well, as I go through I fell the condensed smoke from the cars circulating around this big square, mainly Japanese brands like Kia, Hyundai, Suzuki, Mazda, some of them making a big noise, which is not usual for Japanese cars. But, let’s see, 2 despite the size of the square, there aren't many people here, just some children running through the water jets, from one side to the other, and then, I also see a certain middle aged couple, the father running after his children and the mother staying here, on the side of this bench, shouting words I can’t understand, and then, talking in english, this is, mixing english and arab, and so, as I present myself, I get to know, they are tourists visiting their own country, and then, as I sit on this bench on her side, she even begins to tell me her private story, so, here she goes now “Actually, I escaped from this city almost twenty years ago… I mean,  I was pregnant during the war time, and that may have helped me with the asylum claim… this is, on a rainy August day we reached America… two American men and one Iraqi woman received us in Philadelphia. They accompanied us to the charity’s office in the city of Camden and the organization’s director, Mrs Cathy welcomed us there… I remember. This organization had rented an apartment for us in Gloucester and paid the rent for the first three months…. plus, they also provided us with food vouchers. Unfortunately, some of my new neighbors at that time did not like having Muslim Arabs living near them… a woman on the ground floor, for example, began to harass us, and the building’s manager was not able to stop her… so, when I contacted the police, she told them her husband had fought in Iraq and as we were Iraqis we should be killed. Just like that…” And, as I listen this, then, I see myself getting out of the airport in Tijuana, and so, as I go around the airport complex, I quickly spot the fence with the United States, two fences actually, around ten meters high each one, one in the Mexico side and other on the gringo’s side, a big space in between, and there in the gap, some patrolling jeeps making some moves, and surveillance cameras set on the top of huge poles. Thus, here I go, now advancing along the road just on the side of one of these fences, the Mexican one, and actually, it can be said, there aren't many cars passing by at this time of the day, just some dusty vans and from time to time, like now, a big and robust school bus approaching, and as it goes by, I can see rednecks with big hats dozing against the windows. And, as it goes, after some time walking by these fences, at some point, I spot a patrol car on the gringo's side stealthily following me, this because, I guess, some meters before I have just touched the fence, say, I wanted to make sure if it was 3 electrified or not. But now, I think to myself, why should they bother with that if they have all the equipment, I mean, they can track me through their surveillance cameras, hidden radars, satellite rays, etc. Thus, I keep walking, and let’s say, from ten to ten minutes, I would cross with another fellow coming in opposite direction, usually someone carrying a small rucksack on his back and walking fast, not looking to the sides, but, on the exact moment we would cross each other, this fellow would do some kind of salute, moving up the head suddenly, and me, answering the same form, and after this, we would keep our march, no talking. Leaving the fence now, moving back to the night market by the Mekong river, in Vientiane, Laos. And, as a start, I may inform that, on the other side of this river is actually Thailand, and so, from here, we can catch sight of some Thai lights, but, let’s rather concentrate on this place, this is, here I go now along this Chao Anouvong market, watching what is on display at the stalls, this is, to say some, we have here an array of buddhist-inspired paintings and chinese made knickknacks. Sunglasses and slippers of all types and shapes. Beer Lao T-shirts. Fisherman pants and one-size-fits-all dresses and skirts, all very colorful and clean, things made for the tourists, but, talking about tourists, here, at this market, I can't see many, perhaps because, Laos isn’t as touristic as its neighbor country, Thailand. Even so, many locals passing by, to and fro, a great bustle, but everything calm at the same time. Then, moving on to the main road, where the food stalls are. There, people would seat in small plastic benches around low tables and, between them and the stalls, metal buckets turned into stoves with scorched grills with meatballs (pork, duck or fish) on the top, that are then dipped in various kinds of sauces and served with sticky rice with peanuts, stir-fried vegetables, papaya salads with soya milk, or roasted bananas with various sour toppings. And so, as I try some of these things, someone would take me to see the buddhist temples, the so-called wats, that are close by. And then, back in Addis Ababa, back to the Meskel square, where the Meskel festival happens, a festival that commemorates the discovery of the true cross. So, as I got to know, the myth says that queen Eleni, or Helena, later Saint Helena, had a revelation in a dream, this is, she was told that she should make a bonfire and the smoke would show her where the True Cross was buried. So she ordered the people of Jerusalem to bring wood and make a huge pile, and then, after adding frank-incense to it, the bonfire was lit and the smoke rose high up to the sky and returned to the ground, exactly to the spot where the Cross had been buried. According to local traditions, this Demera-procession takes place in the early evening the day before Meskel or on the day itself. 4 The firewood is decorated with daisies prior to the celebration. Charcoal from the remains of the fire is afterwards collected and used by the faithful to mark their foreheads with the shape of a cross… some believing that it marks “the ultimate act in the cancellation of sins”, while others hold that the direction of the smoke and the final collapse of the heap indicate the course of future events “just as the cloud of smoke the Lord raised over the Tabernacle offered guidance to the children of Israel” (Exod. 40:34–38). So, Helena, the mother of Roman Emperor Constantine the Great, recovered the True Cross at the Holy Sepulchre in… one explanation for the high rank of this festival is that, it is believed that a part of the true Cross has been brought to Ethiopia from Egypt during the Big Exodus, and also, it is said that the cross is being kept at Amba Geshen, a certain mountain in north Ethiopia. But, back in Oslo, still at the Bygdøy peninsula where parts of the Lords of Chaos film were shot, this is, a biographical horror thriller adapted from a book with the same name, a book that tells the story of the early 1990s Norwegian black metal scene, told from the perspective of Øystein Aarseth, co-founder of the black-metal band Mayhem, better known by his stage name Euronymous, professed to be a theistic Satanist and known for his extreme misanthropic statements. So, it happened that, in the summer of 1993, Euronymous was murdered by his fellow musician and former bandmate Varg Vikernes and so, the film tells his life story, the story of the band Mayhem and his involvement with "Black Circle", a cult associated with the burning of several churches in Norway, during the nighties. For example, Louis Cachet, born Kristian Vikernes, better known as Varg Vikernes was convicted of murder and arson, and subsequently served 15 years in prison. After founding Burzum, circa 1981, he also recorded bass for Mayhem's debut album De Mysteriis Dom Sathanas and, he would then stab Mayhem guitarist Euronymous during an altercation at the latter's apartment, arrested shortly after. Thereon, in May 1994, he was convicted of first-degree murder, church arson and possession of explosives. Vikernes said the killing was self-defense and unsuccessfully argued for the charge to be reduced to voluntary manslaughter. He was sentenced to 21 years in prison, the maximum penalty under Norwegian law. During his incarceration, Vikernes launched the Norwegian Heathen Front, two books were published, and five years later, in 2009, he would be released on parole, after which he moved to France with his wife and children. Back to Praha, now passing in front of the Hybernia Theatre, where also is the Prašná brána or Powder Tower or Powder Gate, a Gothic tower that used to separate the Old Town from the New Town.  But, let’s jump 5 into Baghdad again, this is, at this point, we already left the Firdos square, and so, we are now walking just on the side of the famous Tigris river, but, by we I mean, me, Mona, her husband, a mustached American guy named Jim, and their children, two young girls and a demi-teenage boy named Musa. And so, as we advance through this gardens just on the side of the Tigris, at some point we come to a statue of a man, half-sitting half-lying over a marble bench-table, and a woman standing on his front, with open arms, wearing a reduced kind of dress with stony ruffles that go from her waist to the sleeves, this is, the Aboû Nouwâs memorial, I get to know, and while the children play around this kind of statue, she explains, “Aboû was a poet from the eighteenth century, of Bedouin inspiration, highlighting a bacchanalian kind of love… excerpts of his poetry appear in various parts of the classic widely spread in the west A thousand and one nights'', and as she says this things her two daughters are already jumping over the statue of the man, trying to pull him out of the bench. And, then, as we leave this place, we get to the Al Jumhuriya bridge, or Republic bridge, this is, here we take a taxi on the Liberation square and then we go in the direction of the Martyr Monument, “the Nusb Alshahid, or the broken egg”, as people call it”, she says “a monument from the Saddam Hussein's era”. Then we pass the Al-Madina International Stadium, we turn left on Hamza square, we turn right on Fellah street and we are now in Sadr city, a neighborhood that was extremely dangerous during the war times, they tell me. “Before the war had started, the US Army established one of their squadrons here, at an abandoned cigarette factory located on the eastern side of Sadr City, they called it Camp Marlboro'' says the taxi driver. And as the taxi man explains that, I’m already advancing through the suburbs of Tijuana, this is, as I advance, I see the first shops, the first small supermarkets, the first refresquerias (juice houses), the first pulquerias (taverns), and, in between all of those shops, some improvised car garages, etc. And I go til the top of the hill and then, as I look around, on my right side, I can see all the wave of roofs, all the ups and downs of this suburban area, and, on my left side, I actually see a dry river/sewage kind of thing, and there on the back, some colorful and tall buildings, this is, not very tall, but visibly dusty. And then, when I ask directions to the city center, someone answers me with all the details and possible ways of getting there and even the buses’ I can get, etc. Thus, I ended up following the motorway by the sewage and then, under a bridge, I see a particular kind of graffiti that is calling my attention, this is, a graffiti depicting a group of guys pulling shopping trolleys full of trash, and in front of this same wall where this graffitis are made, actually, there 6 are some real shopping trolleys full of trash abruptly parked down here, thus, there you go, a plastic reality and the real reality so near, side by side, it looks some kind of trap, but, then, there I go, already digging through the garbage jammed inside these trolleys. And so, back in Vientiane now, as I said before, someone took me to see the Buddhist temples, the so-called wats, that are pyramidal and golden-roofed buildings, and, while I wander through this area, a revelation, that is, dozens of young girls crossing the adjacent gardens, and going on its reach, or hidden in the back of some trees, I spot some, but not a few, western tourists, this is, paunchy white men running after some of these girls, but, let them go. Back in Addis Ababa, not far from Meskel square I found the "Red Terror" Martyrs' Memorial Museum, a memorial to those who died during the so-called Red Terror under the Derg government. Red terror, Qey Shibir or Kay Shibbir, was a violent political repression campaign of the Derg against other competing Marxist-Leninist groups in Ethiopia and present-day Eritrea from 1976 to 1978. The Qey Shibir was an attempt to consolidate Derg rule during the political instability after the overthrow of Emperor Haile Selassie in 1974 and the subsequent Ethiopian Civil War. It is estimated that one hundred thousand people were killed and many others tortured over the course of the Qey Shibir. I didn’t go inside, but the people around told me that this museum has displays of torture instruments, coffins full of bones, bloody clothes and photographs of victims. And then, I’m back in Oslo, now at the Pipervika ('the piping bay'). About this name, the first element is assumed to refer to the brigade music's pipers (flutists) who were located in the area, the last element is the finite form of vik for 'bay, inlet'. But the Norse name of the bay was Gyljandi, and this name is derived from the verb gylja that means 'howl, huut', probably referring to the windy conditions in the bay, as the verb pipe in Scandinavian in often used to describe the sound of strong wind, someone tells me, and as this someone tells me that, I’m back to Praha, now going through the Celetná, a narrow cobbled street named after the plaited bread rolls they used to eat here, this is, on both sides, there are a densely-packed array of shops, some selling antiques, and so, I get in one of those, looking over the piles of trinkets stacked to the ceiling, and then, as I look at the shopkeeper, a man with small eyes and a frank smile, without further ado I ask him his name, and “Jakob” he says. And then we would begin some kind of conversation about Israel. And then, as I’m actually making my way out of this shop,  I’m already entering the house of Mona’s parents in Sadr city, Baghdad. More to say that the father and the mother of Mona haven’t seen the daughter for about twenty years, 7 and so, they have never seen their grandchildren also, just in photos. And thus, at this point, there is some kind of commotion going on, some crying, some laughing, and as this is happening, I say to myself, what am I doing here! But then, they hug me too and pamper me too, as if I were the one responsible for this reencounter. And, as it goes, this is, as the young ones go around to “explore” the house, I get to know, the old man's name is Hadid, which means "iron", and the old lady is named Centola, which means “light of knowledge”, upa-upa. And so, in a while, they also ask what my name means, but, “no meaning” I say to them, and, after this answer there is some silence in the air, but, the presence of the grandchildren does not allow the silence to last and so, at some point, they are even beginning some kind of conversation about America that will continue for a long time, but, I can see, there are mixed feelings about this topic… anyway, after the big talking, we cook together, I learn the name of certain vegetables in arab language, and then, they tell me, if I wanna eat I have to sing the name of this and that ingredients and the girls laugh on me and the time passes and the meals get ready and actually we end up eating dishes consisting of fried aubergine with tahini, lettuce and sumac, toasted pita bread, salads with bulgur, chopped parsley, mint, tomato, scallion, lemon juice, olives, cinnamon and a Pomegranate soup, called shorbat rumman. And then, after the dinner, something happens, this is, their son, Musa, has just disappeared, and quickly, Jim, the American father, goes outside after him, but, he wouldn’t come back so quickly. And then, as I go through “avenida de la revolucion” in Tijuana, I watch the showcases of some handicraft shops with colorful skulls on display, hamburgueserías decorated with the imaginary of the gringos, a funky bait, but strangely, I haven’t seen one American in all this main street. So, as it goes, I get curious and, I decide to ask someone about the gringos, where are they after all, and this someone straight away nod in the direction of some house/nightclub while saying “ai se meten todos, por las muchachas” (they all stick there, for the ladies). Yes, indeed, the fuckers, the only place you could find them would be inside a whorehouse, what a jerks. “Esta ciudad ha sido escenario de muchos motines entre los carteles de la droga” (This city has been the stage of many riots between the drug cartels) he says, “so they are not coming so much here as before, say, they are afraid of Tijuana now” the man informs. Then we keep a conversation in Spanish, and he tells me that he’s originally from Sonora province and actually, he’s here on business, trying to arrange a contract to export meat from his providers in Sonora to the small restaurants here in downtown Tijuana. “Aquí les gusta más la carne 8 del desierto - Here they like desert meat better”. Then, understanding that I’m a foreigner, he even invites me to come inside and have a pulque with him, which I accept. And so, this would be my first pulque, I mean, I had never heard about this drink actually. “Nevermind the Tequila'' he says, “this is way better”, and it is true what he just said, tequila tastes like pure alcohol, like vodka, but this drink is creamy and fruity. So, then, we sit at a table with other local men and one woman. And as the conversations go on, I understand, all of them have been on the other side; I mean the ''Alta California'' side. “That was our land, they stole it from us, but our relatives still live there, and they will never leave it” one says. “I worked there in a fucking factory for almost two years, my work was to throw dead chicken into hot water, but, I got tired of that shit and just came back” one other says. And then, a younger one continues, “I have just come from San Francisco… deported by the new migration laws”. And then, a middle-age woman with fleshy lips also says “I have worked almost half of my life there, in a Motel, as a waiter, as a cook and as a receptionist, I have done a bit of everything, I mean, I’m just here on holidays…” she confides. And then, “Su marido es un puto Americano” someone on the side says, and “Do you love him?” I ask. “I love my children,” she says. And then, as it goes, they ask me a lot of questions about my identity, things like, what I may be doing here, from where I came, and, to this questions, I lied as I could, I mean, I said I was half Chinese half Spanish half I don’t know what, and I had come on a secret mission, to visit some cousins and... even so, they were not satisfied with my justifications, they wanted to know more but, it was time, I wanted to go to the beach, and, there was a mission to be carried out… so, I arranged a way to say farewell to these people as cordially as I could… and then, I would turn the page and directly go to Vientiane, this is, here I’m, still at the night markets drinking some Lao-Lao, a rice whisky drink produced in Laos. About the etymology of this word, we can say, the name Lao-Lao is not the same word repeated twice, but two different words pronounced with different tones: the first, meaning "alcohol" should be pronounced with a low-falling tone, while the second, means Laotian and should be pronounced with a high(rising) tone, someone explains me. And then, this same “someone” also tells me that “various flavors can be added to this drink, like herbs, honey and scorpions, and despite this being a buddhist country, it is traditional to serve two glasses of lao-Lao on ceremonies, feasts and other comparable situations”, the round-faced man informs me. And now, back in Addis Ababa, more precisely, by the Lion of Judah Statue, I mean, the “monument” is located in the square of the Addis Ababa 9 railway station and marks the end of Winston Churchill Avenue, one of the main arteries of the city, and so, the sculpture of the Lion of Judah, in gilded bronze, is placed on a black granite pedestal decorated with relief portraits of emperors Menelik II and Haile Selassie, Empress Zewditu, and Ras Makonnen Wolde Mikael. I read somewhere that, this work was made by some French sculptor and, was installed on the occasion of the coronation of Emperor Haile Selassie. And then, I also get to know, that, after the revolution in the seventies, the Derg regime thought of removing the monument, that was a symbol of the monarchy, but, an association of Arbegnoch veterans claimed that it was a memory of Ethiopian antifascist resistance and a symbol of Ethiopia. Therefore, the regime agreed to leave the monument. And as it goes, I’m Oslo again, still at the Pipervika, waiting for the ferry to get out of here, coz I’m freezing. And then, I’m in Praha again, now getting to the Staroměstské náměstí, this is, the Old Town Square, where there is also the Gothic Church of Our Lady before Týn, the St. Nicholas Church, and the Prague Orloj, a medieval astronomical clock representing the position of the Sun and Moon in the sky and displaying various astronomical details; statues of various saints on either side of the clock, and other sculptures, notably a figure of a skeleton striking the time. And thus, as I look at it, I’m back in Baghdad, this is, back at the house of Mona's parents, an so, Mona is no more here, nor her mother, only her father and his grandchildren, the girls, this is, by now, the big man takes this opportunity to entertain the girls with an old tale from the babylonian times, and so, I’m also curious about it, and, as it goes, he explain “the is a story about Amine and Safie, this is, Amine, the younger, marries a rich oldman and goes with him on an excursion onto some western lands, but on the way, he loses everything, and so, Anime gets lost… whereas, Safie, stays at home, raising silkworms, alone” And as we listen this, still thinking about worms, there I go, walking through the suburbs of Tijuana again, and so, here, on both sides of this road, there are mounds of churned earth, almost no vegetation, and then, over there, I see, the illuminated statues of Santa Morte, Virgen Guadalupe and San Judas Tadeu, and a fig tree on their back. And there I go, now analyzing these statues from a closer angle, while eating some figs and then, as I look down into this inhospitable valley, I see a certain figure walking slowly in the middle of the high weeds, and, as it gets closer and closer, then, I understand that this figure is actually a man carrying a tray on his head and two buckets, one in each hands. And so, in an instant he reaches the mound where I’m now, and then, as he passes by he produces a sound like “ohue” and there he goes, following now through a narrow serpentine path, and so, now I understand, he’s probably a peddler coming home after a long day of work, and, I also think to myself “at least he has a home to reach…” and then, further, as I look back at it, down there, I could still see his head and the tray over it, all the 10 same thing now, and in a while, becoming just a shadow on the top of the weeds. And, then, I put myself on march too, I mean, following in the opposite direction. This is, about twenty minutes later I would reach some villas surrounded by high walls with broken glass stuck on its top. And then, at the roundabout, I would turn right, stalking the sound of the sea, and, as I go through, I would pass some bars, noisier than the ones from the city center, but, I wouldn’t stop, I would just watch the people coming in and out of it and more and less five minutes later I would finally reach the so desired beach and so, here I’m now, smelling the sea while hearing some trumpet sounds coming from down there, from the mounds of sand, this is, as I approach it, now, I get to a small amphitheater installed in the middle those so-said mounds of sand, and thus, now I see that, beside the trumpet players, there is also a big set of percussion, blasting, and also, some guitarists dressed with lines of decorative bottoms spreading through their jackets and pants, but actually, it's impossible to hear what they are playing coz they have no amplification. And then, a guy would pass the microphone to the public, this is, to the ones standing around, and so, anyone could sing. No shame. And then, middle-aged couples would dance, spreading around the stage, or better, half in the amphitheater half in the sand, this is, jumping between both territories. And then, as I get hit by some of these dancers, we laugh together, and, as it goes, after hitting some percussion instruments, I would run away. And then, further, in the plenaries of sand close by, I watch some people gathering around small fires and so, there I go, walking towards some of these assemblies. And once there, people are already looking at me through the flames, studying my face, but, no questions, and so, as it goes, I notice that actually the wood is being paid, I mean, some guys are constantly coming and leaving with special carts full of roots dug up on the beach, and, I see some people giving coins to them, thus, me too, I would give them some change, as others did. And then, there would be games, this is, some teens even asked me if I could throw a piece of my hair onto the fire on our front. And, “Why not.” I say, while doing it. And, as it burns, they say that now I should ask for a wish, and then, promptly, “What is it?”, they are already asking. “I wish, I wish…” I say, and they laugh a bit, “I wish this fire turns into stars and these stars turn into hands that will point us the way”, and then, as I say this, I actually see some of these youngs looking at the sky, and then, as they look up, there I go, running to towards the sea, and as I’m about to reach it, I see myself back in Vientiane, now aboard some kind of boat, going across the Mekong river.

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